The Erratics Indie Arts Club

My folk dance of language and seed brings Rosanna Terracciano in duet with film projections of her mother and father. It explores the interplay and connection between her personal flamenco and her own cultural roots from Napoli. Different, but linked histories represent themselves in her body and her ways of moving. Dance, song, language, and hand gestures collide and shift—finding new ways of expression.

Ashley Mae Johnston and Samuel Samways view the human body not just as an instrument for technique, but as a vessel for power, liberation, and an authentic connection to the psyche. In ‘del amor y el mar,’ witness a poetic meditation on intimacy, harnessing the ocean as a metaphor for the unpredictable nature of eroticism. In this work-in-progress duet, Ashley Mae Johnson and Samuel Samways fuse their distinct partnering backgrounds to create an emotionally raw physical dialogue.

Where gesture becomes music and listening becomes physical—Microphone Controller reimagines the rock concert for Deaf and hearing audiences through choreography, embodiment and language. In this 55 minute work, voice is displaced from sound and thrown into the body. Rooted in CODA (Child of Deaf Adults) identity, the work draws on cultural immersion, responsibility, and translation between worlds. Refracted through the mythology of fame—this work asks what the power of voice costs, and who pays the price.

My folk dance of language and seed brings Rosanna Terracciano in duet with film projections of her mother and father. It explores the interplay and connection between her personal flamenco and her own cultural roots from Napoli. Different, but linked histories represent themselves in her body and her ways of moving. Dance, song, language, and hand gestures collide and shift—finding new ways of expression.

Where gesture becomes music and listening becomes physical—Microphone Controller reimagines the rock concert for Deaf and hearing audiences through choreography, embodiment and language. In this 55 minute work, voice is displaced from sound and thrown into the body. Rooted in CODA (Child of Deaf Adults) identity, the work draws on cultural immersion, responsibility, and translation between worlds. Refracted through the mythology of fame—this work asks what the power of voice costs, and who pays the price.

Ashley Mae Johnston and Samuel Samways view the human body not just as an instrument for technique, but as a vessel for power, liberation, and an authentic connection to the psyche. In ‘del amor y el mar,’ witness a poetic meditation on intimacy, harnessing the ocean as a metaphor for the unpredictable nature of eroticism. In this work-in-progress duet, Ashley Mae Johnson and Samuel Samways fuse their distinct partnering backgrounds to create an emotionally raw physical dialogue.