Nickle Galleries, Taylor Family Digital Library

Held. Together. is a group exhibition featuring Glenna Cardinal, seth cardinal dodginghorse, Dwayne Martineau, and Amanda McCavour with contributions from Holly Anghel in the Window Gallery.

CrossCraft is the result of a research-creation project that explores different textile techniques as systems of repetition, structure and pattern-making inspiring new, contemporary designs. The exhibition foregrounds making as a way to investigate, ask and answer questions. This is a collaborative project involving researchers and makers from four academic institutions in Ontario and Alberta. The team includes faculty members, researchers, and a graduate student, each with their own craft practice.

Creating Beyond Category: Building an Independent Creative Practice Through Collaboration, Curiosity, and Community A career in the arts rarely follows a straight line. Through stories from curated exhibitions, freelance projects, artist collaborations, and un

Through stories from curated exhibitions, freelance projects, artist collaborations, and unexpected opportunities, Ash Slemming explores how curiosity, community relationships, and a willingness to work across disciplines can become the foundation for an independent creative practice.

Through stories from curated exhibitions, freelance projects, artist collaborations, and unexpected opportunities, Ash Slemming explores how curiosity, community relationships, and a willingness to work across disciplines can become the foundation for an independent creative practice.

Through stories from curated exhibitions, freelance projects, artist collaborations, and unexpected opportunities, Ash Slemming explores how curiosity, community relationships, and a willingness to work across disciplines can become the foundation for an independent creative practice.

Through stories from curated exhibitions, freelance projects, artist collaborations, and unexpected opportunities, Ash Slemming explores how curiosity, community relationships, and a willingness to work across disciplines can become the foundation for an independent creative practice.

Held. Together. is a group exhibition featuring Glenna Cardinal, seth cardinal dodginghorse, Dwayne Martineau, and Amanda McCavour with contributions from Holly Anghel in the Window Gallery.

CrossCraft is the result of a research-creation project that explores different textile techniques as systems of repetition, structure and pattern-making inspiring new, contemporary designs. The exhibition foregrounds making as a way to investigate, ask and answer questions. This is a collaborative project involving researchers and makers from four academic institutions in Ontario and Alberta. The team includes faculty members, researchers, and a graduate student, each with their own craft practice.

This exhibition draws upon the recently acquired D. Hall Darwin-Wallace Collection, which brings together over one hundred works by and about Charles Darwin (1809-1882) and Alfred Russel Wallace (1823-1913), the British naturalists who independently formulated the theory of evolution by natural selection in the late 1850s. Highlights include first editions...

Katherine Lawless introduces the Soil Memory Atlas , a transdisciplinary research methodology and research-creation practice for reading the social and material histories of place.

This exhibition draws upon the recently acquired D. Hall Darwin-Wallace Collection, which brings together over one hundred works by and about Charles Darwin (1809-1882) and Alfred Russel Wallace (1823-1913), the British naturalists who independently formulated the theory of evolution by natural selection in the late 1850s. Highlights include first editions...

Katherine Lawless introduces the Soil Memory Atlas , a transdisciplinary research methodology and research-creation practice for reading the social and material histories of place.

This exhibition draws upon the recently acquired D. Hall Darwin-Wallace Collection, which brings together over one hundred works by and about Charles Darwin (1809-1882) and Alfred Russel Wallace (1823-1913), the British naturalists who independently formulated the theory of evolution by natural selection in the late 1850s. Highlights include first editions...

Katherine Lawless introduces the Soil Memory Atlas , a transdisciplinary research methodology and research-creation practice for reading the social and material histories of place.

This exhibition draws upon the recently acquired D. Hall Darwin-Wallace Collection, which brings together over one hundred works by and about Charles Darwin (1809-1882) and Alfred Russel Wallace (1823-1913), the British naturalists who independently formulated the theory of evolution by natural selection in the late 1850s. Highlights include first editions, original Darwin letters, and a rare 1868 photograph of Darwin by Julia Margaret Cameron.

Katherine Lawless introduces the Soil Memory Atlas , a transdisciplinary research methodology and research-creation practice for reading the social and material histories of place.

This exhibition draws upon the recently acquired D. Hall Darwin-Wallace Collection, which brings together over one hundred works by and about Charles Darwin (1809-1882) and Alfred Russel Wallace (1823-1913), the British naturalists who independently formulated the theory of evolution by natural selection in the late 1850s. Highlights include first editions, original Darwin letters, and a rare 1868 photograph of Darwin by Julia Margaret Cameron.

Held. Together. is a group exhibition featuring Glenna Cardinal, seth cardinal dodginghorse, Dwayne Martineau, and Amanda McCavour with contributions from Holly Anghel in the Window Gallery.

This exhibition draws upon the recently acquired D. Hall Darwin-Wallace Collection, which brings together over one hundred works by and about Charles Darwin (1809-1882) and Alfred Russel Wallace (1823-1913), the British naturalists who independently formulated the theory of evolution by natural selection in the late 1850s. Highlights include first editions, original Darwin letters, and a rare 1868 photograph of Darwin by Julia Margaret Cameron.

This exhibition draws upon the recently acquired D. Hall Darwin-Wallace Collection, which brings together over one hundred works by and about Charles Darwin (1809-1882) and Alfred Russel Wallace (1823-1913), the British naturalists who independently formulated the theory of evolution by natural selection in the late 1850s. Highlights include first editions, original Darwin letters, and a rare 1868 photograph of Darwin by Julia Margaret Cameron.

This exhibition draws upon the recently acquired D. Hall Darwin-Wallace Collection, which brings together over one hundred works by and about Charles Darwin (1809-1882) and Alfred Russel Wallace (1823-1913), the British naturalists who independently formulated the theory of evolution by natural selection in the late 1850s. Highlights include first editions, original Darwin letters, and a rare 1868 photograph of Darwin by Julia Margaret Cameron.

This exhibition draws upon the recently acquired D. Hall Darwin-Wallace Collection, which brings together over one hundred works by and about Charles Darwin (1809-1882) and Alfred Russel Wallace (1823-1913), the British naturalists who independently formulated the theory of evolution by natural selection in the late 1850s. Highlights include first editions, original Darwin letters, and a rare 1868 photograph of Darwin by Julia Margaret Cameron.

This exhibition draws upon the recently acquired D. Hall Darwin-Wallace Collection, which brings together over one hundred works by and about Charles Darwin (1809-1882) and Alfred Russel Wallace (1823-1913), the British naturalists who independently formulated the theory of evolution by natural selection in the late 1850s. Highlights include first editions, original Darwin letters, and a rare 1868 photograph of Darwin by Julia Margaret Cameron.

CrossCraft is the result of a research-creation project that explores different textile techniques as systems of repetition, structure and pattern-making inspiring new, contemporary designs. The exhibition foregrounds making as a way to investigate, ask and answer questions. This is a collaborative project involving researchers and makers from four academic institutions in Ontario and Alberta. The team includes faculty members, researchers, and a graduate student, each with their own craft practice.